Acting Resources
(from Richard Glockner, Professor at UNI)
**A Practical Handbook for the Actor by
Melissa Bruder, etal
**Stanislavski in Rehearsal by Topovkov
(Theatre Arts, publisher)
Acting Power by Robert Cohen
Acting: The First Six Lessons by Richard
Boleslavsky
An Audition Technique Book by Jack Poggi
The Strasberg Method by Lorrie Hull
**A Challenge for the Actor by Uta Hagen
(Respect for Acting is her first book)
Any of
the Stansilavski books (An Actor Prepares, etc.)
The Six Steps
by Uta Hagen
1. Who am I?
2. What are the circumstances?
(time, location, surroundings, immediate circumstances)
3. What are my relationships to
the people, circumstances, place, and objects around me?
4. What do I want? (objective,
need)
5. What is my obstacle? (what
is in the way)
6. What do I do to get what I
want? (actions)
Tips on Developing a Character
Taken from Michael Schulman in Great Scenes and Monologues for Actors
There are two
kinds of actors – character actors and personalities
Three Main Ingredients for Creating Authentic Characters
1. Commitment to creating unique
and authentic lives for your characters
2. Base your characters on real
people
3. Find aspects of yourself that
are similar to the character you are playing
Other character things to consider...your name, your
family, your education, your taste in clothing, your favorite foods, interests/hobbies, job, speech, heroes, political beliefs,
religious beliefs...the list is endless as are the possibilities...
The Actor’s Lessons
Proper alignment
Proper balance of tension and relaxation
Proper breathing techniques
Proper warm-up techniques
An understanding of his or her own body
The ability to neutralize his or her personal
mannerisms
Understanding of basic movement elements (space,
time, energy, and so on)
Understanding of mind/body connection (so that
movements are motivated)
The ability to work with others
The ability to work alone
Independence from constant monitoring
The ability to apply acting technique to movement
problems
The ability to apply movement technique to acting
problems
The art of centering
Proper use of internal and external techniques
From Movement for the Actor, Jean Salvatine